Written for OLWG# 357
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My family moved to New Mexico shortly after the territory became a state in 1912 and set up as hill farmers outside Santa Fe. It mostly was subsistence living in those days. It was not an easy life, but the land was generous, life was good. Leastwise, my Grandpa always told me that. The farm isn’t ours any more. It wound up being absorbed by a big corporate ranch, and is now just a part of Rancho del Ancianas.
My people moved to town. Some of them became shopkeepers. Some went into government; Santa Fe is the state capital. Others became hoteliers, saloon keepers, rapscallions, and petty criminals. Town people, for the most part, not country folk.
In 1915, my great uncle Ned built and opened the first theatre in the pueblo. A large adobe building that he named after himself, Sublette Theatre. Uncle Ned’s theatre was grand; the only real competition in the state was The Lyric in Lincoln County. Shows at both places consisted primarily as variety shows. Separate, unrelated acts grouped on a single playbill. The likes of popular and classical musicians, singers, dancers, comedians, trained animals, magicians, ventriloquists, strongmen, female and male impersonators, acrobats, clowns, jugglers, one-act plays or scenes from plays, athletes, lecturing celebrities, minstrels, and films. Throughout the duration of Uncle Ned owning and operating The Sublette Theatre, the most popular shows were the scandalous shows. Shows that featured dirty jokes and provocative women dancing on stage. Such shows always brought out protests from the Christian Temperance and Morality Movements.
Uncle Ned welcomed the demonstrations and protests; he saw them as free publicity, and he made a lot of money.
He sold the theatre in 1945 to a man who was, frankly, in over his head – who didn’t know how to run it. That was when the old place began its decline. The city owns it now. They keep the building in good condition, but don’t really know what to do with it.
About ten years ago, the city of Santa Fe advertised a free poetry reading at the theatre. I gathered some of my best work and headed down, expecting an open mike experience. At the front door, I was handed a book by Thomas Chatterton, and asked to sit by the stage. The theatre filled quite rapidly, and I was getting excited.
When Mayor Vance Camaron walked onto the stage, the house lights dimmed, and a hush fell over the crowd. The mayor spread his arms wide, “Welcome to the first annual Santa Fe Poetry Reading. Without further ado, I believe it is time to begin.”
I was a little confused until I heard the soft rustle of pages turning. At that moment, I realised that, although this was technically a poetry reading, it was not quite what I had envisioned. Everyone was sitting in their seats reading the books they had been issued at the door.
Chatterton was a joy, although the language was a bit dated. He had passed in 1770 at the age of seventeen.
The first annual Santa Fe Poetry Reading, turned out to also be the last.
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This week’s prompts were:
- listen to the pages turning
- at the Sublette Theatre in Santa Fe
- Hill Farmers
